← Felix K · open in context · all works
article · 2005
Feature on TC1 & Stresslevel of Dispatch Recordings, on production moving away from distortion. Covers their setup (PC, Native Instruments Kontakt, Cubase SX, Midi controllers, Mackie HR824 monitors, Sound Forge) and a change in method: starting from an idea rather than from drums, as on Take Control. Anthony notes that BPMs have risen and that more of the strongest producers now come from outside the UK, naming Hungary and D.Kay in Vienna.
„Warum muss auf Drum & Bass Parties nicht mehr gebrettert werden? Geht es nicht mehr darum lauter zu sein als der andere?“Felix Krone, De:Bug 2005